The premise of Maximum Pleasure Guaranteed sounds like it was assembled from a generator: a newly divorced mom named Paula falls into a dangerous rabbit hole of blackmail, murder, and youth soccer while fighting a custody battle. Tatiana Maslany plays Paula. The combination of domestic crisis, amateur investigation, suburban satire, and whatever “youth soccer murder conspiracy” means in practice creates a tonal mixture that could collapse into incoherence or become exactly the kind of genre hybrid that generates devoted audiences.

Shelby Van Pelt’s novel Remarkably Bright Creatures spent an extended period on bestseller lists largely through word of mouth — the kind of book readers press on other readers with an insistence that can be off-putting until you actually read it. The premise involves a widow working at an aquarium who forms an unlikely bond with an octopus named Marcellus. It is also a missing-persons mystery and a story about grief and the ways humans project emotional intelligence onto creatures who may or may not share it.

The first season of The Four Seasons on Netflix worked because Tina Fey understood what the Alan Alda source film understood — that a dramedy about middle-aged people in long-term relationships has to actually believe in the relationships to generate any comedy worth having. The show was warmer than expected and funnier than its premise suggested. The second season arrives May 28 with the same structural premise: six friends, four vacations in a single year, and the annual reckoning that time-based stories impose on characters who are trying not to notice how much is changing.